Photos, videos, words and autographs obtained by G.
If you are unfamiliar with any of these bands, songs or albums listed below, I urge you to open your mind and check them out. Maybe they won’t be your taste or maybe they will change your life! And now… According2g.com’s top 15 albums + songs of 2015!!!
Currents by Tame Impala
“Currents” by Tame Impala. By now you should know I am obsessed with this band. They fuse psychedelic rock and and pop seamlessly on this album, their third, and I can’t get enough of it. Lead singer Kevin Parker’s voice sounds like a fusion of John Lennon and George Harrison with a little bit of reverb on his vocals. The opening track “Let It Happen” is over 7 minutes long and I listen to it over and over and over again and months later, I am still not sick of it. By now you’d think I’d have the lyrics memorized, but the processing on his voice makes the end part sound like he’s signing “Shoobie doobie doobie” to me. And I’m not complaining! It makes me smile every time I put this song on repeat. The songs on “Currents” move away from being so rock oriented and this collection of tracks are the grooviest songs Tame Impala has done to date. If this is the direction they are headed in, I am ready to take the ride. I recommend this album, but if albums aren’t your thing, check out “The Less I Know The Better,” “Let It Happen,” “Eventually,” “Cause I’m A Man” and “New Person, Same Old Mistakes.” If those songs don’t rock your world, we are no longer friends 🙂
Honeymoon by Lana Del Rey
2. “Honeymoon” by Lana Del Rey. I’m really glad the world finally stopped hating Lana Del Rey and came to the realization that there is no one else out there in the music scene that is like her. From her dark lyrics to her noir-esque music, Lana’s songs sound like mini 5 minute soundtracks to David Lynch films that don’t exist yet. Love her or hate her, no one else opens an album with a 6 minute song that is nearly a capella, save for an orchestral arrangement when the name of the song is sung. Her lyrics are badass (“you could be a bad motherfucker, but that don’t make you a man”) but she still gets her heart broken (“Ever since my baby went away, it’s been the blackest day/ All I hear is Billie Holliday/ It’s all that I play”) and in between she name checks legends and talks about many of our favorite subjects including getting high by the beach, appreciating art deco and invites you to move to California and become a freak like her. Oh Lana, you have my heart!
Alex Kapranos of FFS (Franz Ferdinand and Sparks)
3. “FFS” by FFS (Franz Ferdinand and Sparks). Who would have thought pairing 90s rockers Franz Ferdinand and 70s duo Sparks would have been such a great idea, but whoever matched these two bands up deserves a medal. The 16 song (if you have the deluxe edition) album is as theatrical as a Broadway show and has enough grooves and quirky lyrics to make you listen to this album repeatedly, whilst occasionally laughing out loud at the absurdity. The opener “Johnny Delusional” talks about not being attractive and trying to impress a hot woman. With song titles like “Dictator’s Son,” “The Man Without a Tan,” “The Power Couple,” the band knows how to take the piss out of themselves. In fact, the regular edition of the album closes out with “Collaborations Don’t Work,” and “Piss Off” which is obviously telling critics to piss off, since the results of this collaboration (that does work!) are some of the best work either band has done. The deluxe edition features the song “So Many Bridges” and just from hearing the title, you think it’s going to be a reflective song, and instead they sing about how there are “so many bridges in the world to jump off from.” This album rules!
4. “Thirty One” by Jarryd James. Jarryd James is a singer/songwriter from Australia who has a nice mixture of soul, R&B and pop in his songs. In the age of the piano ballad that makes you want to slit your wrists, Jarryd James is the relief as his music has a beat and many times, a funky little groove. His album has yet to make a splash in America, but I think with the right marketing, he has the potential to be a big star. I happened to see that he was playing a concert in New York and the promoter inserted a youtube link to his track “Do You Remember?” and I pressed play, heard about 5 seconds of the song and said “I need to see this guy sing.” It was a great decision and I enjoyed every song I heard that night and when his album came out, I found the same love for every track on the record. If you are looking for a starting point, let me recommend “Give Me Something” (for a more upbeat taste) and if you need a slow jam, check out “High.” I really hope Jarryd’s career takes off because I love this album so much. I am looking forward to hearing more from Jarryd James and you should be too!
5. “25” by Adele. Hello! A brilliant album of sad songs. Adele is so charming when she is interviewed (I’ve met her 3 times and I can confirm the charm), her laugh makes the world a brighter place. But sad songs are her specialty, so we’ve gotta let Adele be Adele. Luckily songs like “Send my Love (To Your New Lover)” and “Water Under the Bridge” give us a glimpse of Adele when she is at her most up beat. The world is her oyster, so hopefully we will get a tour and more music without having to wait years in between. But Adele lives by her schedule perhaps if more artists did that, we’d get more artful works such as “25.”
6. “Dopamine” by Borns. If T. Rex were alive and making music with the band MGMT in the age of the millennial, it would sound a lot like Borns. His songs are groovy and soulful with a little bit of psychedelia mixed in. You’ve got to watch the video for his single “Electric Love,” and if the song and video don’t blow you away, then try the title track “Dopamine,” which will have you repeating the chorus “wanna feel that stream of dopamine” over and over again. “10,000 Emerald Pools” and “The Emotion” are two of my favorite songs on this great debut. If you scour the archives of this site, you will find videos of Garrett Borns covering Bowie and Elton John. You’re welcome!
7. “Back In Time” by Judith Hill. Judith Hill is so bad ass! She’s sung backing vocals for a list of legends including Elton John, Stevie Wonder and Michael Jackson and for her latest album “Back in Time,” Prince produced it! This production gives us a throwback to the purple proteges of the 1980s when every song on the record is great and it sounds like a Prince production. I saw Judith Hill perform a few of these songs live and the studio renditions don’t do her voice justice because this woman can SING! If you don’t throw your hands up church style when you hear songs like “Cry Cry Cry,” you might need to get your ears checked. “As Trains Go By,” the album’s opener is that funk that is sorely missing from Prince’s own output these days and “Jammin’ in the Basement” will make you do just that. Hopefully the world will catch on to the amazing Judith Hill because she deserves to have a career as great and powerful as her voice.
8. “Kylie Christmas” by Kylie Minogue. Aside from a handful of rock songs, I typically despise Christmas music. I was pleasantly surprised to find Kylie Minogue’s Christmas record to be a mix of classic x-mas songs with traditional arrangements (“It’s The Most Wonderful Time of the Year” “Santa Claus is Coming To Town,” where they’ve seamlessly spliced in Frank Sinatra’s voice) to 1980’s covers (“2000 Miles” by the Pretenders, “Christmas Wrapping” by The Waitresses – but Kylie’s version is paired with Iggy Pop! and “Only You,” a Yaz(oo) cover “Only You” paired with funny man James Corden – proving he’s got a nice set of pipes) to a disco Christmas song – “100 Degrees,” a duet with her sister, Danii Minogue. It’s got a little something for everyone and you’ll need the deluxe edition if you want some of the better tracks on the album. Ho Ho Ho!
9. “Caracal” by Disclosure. Not as strong as their debut, the sophomore release from the cute Lawrence brothers has some really strong tracks. In fact, when the tracks are strong, they hit it out of the park and when they are weak, they are little more than album filler. Their collaborations with The Weeknd (“Nocturnal”), Sam Smith (“Omen”) and Lorde (“Magnets”) make you wish they would do full albums with these artists.
10 “Uptown Special” by Mark Ronson. Mark Ronson + Kevin Parker of Tame Impala = G Heaven. There are in fact 3 collaborations with the pair including “Daffodils,” which is a track so funky, I’ve had it on repeat a lot this year. But the collaborations don’t stop there, Ronson also works again with Andrew Wyatt of the electronic group Miike Snow (sic) as well as producer Jeff Bhasker and there’s even a little bit of Stevie Wonder’s harmonica featured to open the album. The record also features the mega smash “Uptown Funk” with Bruno Mars, and to be honest, Bruno’s music is so derivative to my ears that this song sort of sounds like a Saturday Night Live parody of Eddie Murphy doing James Brown, but that’s just me. The music is funky though, and that’s what matters. This record is a little patchy in comparison to Ronson’s last effort “Record Collection,” but I still love it.
11. “The Gates” by Young Empires. There is no greater champion for this band than me, and I was so excited that their full length debut record has finally seen the light of day. Their music is dance rock, funk punk or “haute rock” as they like to say. Call it what you want, there are 10 tracks to shake your ass on the dance floor and some of my favorite songs are the reggae tinged “Never Die Young,” “So Cruel,” and “Mercy.” Below, you can check out a live version of “Sunshine.” Apologies for it being so dark – that’s rock and roll!
Matt Bellamy of Muse
12. “Drones” by Muse. Not their strongest album, but there are so many Muse moments, from their very political lyrics, to Matt Bellamy’s high pitched voice, stadium anthem ready choruses and my favorite moment on the album – the song “Revolt” where Matt Bellamy tells the listener to do exactly that! FUCK YEAH MUSE!
Bernard Sumner of New Order
13. “Music Complete” by New Order. Peter Hook is noticeably absent on bass, but there are guest stars a plenty that range from good “Superheated” (featuring Brandon Flowers of The Killers) to really good “Tutti Frutti” and “People on the High Line” (featuring Elly Jackson of LaRoux) to cringe worthy “Stray Dog” (featuring Iggy Pop). The strongest tracks on the record, according2g are the obvious tribute to Peter Hook “Unlearn This Hatred” and “Plastic.”
Simon LeBon of Duran Duran
14. “Paper Gods” by Duran Duran. Duran Duran’s career in the 2000s has been all over the map as they released the near-career killing, but mostly pleasant “Pop Trash,” the comeback, but not hugely popular album “Astronaut,” the absolutely horrible “Red Carpet Massacre” (PLEASE don’t ever work with Timbaland again), the criminally underrated “All You Need Is Now” and the spotty “Paper Gods.” As FFS somewhat rightly noted in entry number 3, collaborations don’t work. This rings true for some truly WTF moments as DD have collaborated with Kieza on the otherwise good track “Last Night In the City” but she over-divas her vocals and that has no business on a Duran Duran album. The first single “Pressure Off” also suffers from the ill conceived collaboration with Janelle Monae. Don’t count Duran Duran out though – their live show is still great and Simon LeBon’s voice sounds better than it has in years. They perhaps need to just focus on their strengths which are best made with the 4 remaining members of the band.
15. “Unbreakable” by Janet Jackson. It’s just so good to hear Janet sing again after the death of her brother and almost a decade long hiatus, she could sing the phone book and it would have made the list. Don’t ever leave us again Janet! And check out “No Sleeep” (sic). It’s classic JJ!
16 / 17. “Rebel Heart” by Madonna and “Black Messiah” by D’Angelo and The Vanguard. Both of these albums were released at the end of 2014, so they don’t really count. Well, Madonna’s record leaked over 6 months early and didn’t see an official release until 2015, but the versions she picked to give the fans something different than what leaked are nearly all inferior to the leaked versions. A pity, since this was Madonna’s strongest studio effort in a decade! On the other hand, “Black Messiah” is a fucking masterpiece by the recluse of R&B, D’Angelo. Every song on it is not only great, but essential listening. Let’s hope he is inspired, after the universal love he got for this album, to continue to release music in intervals shorter than every 14 years.
Here are my Top 15 songs of 2015. I’m going to save the commentary, so seek out these tracks!
Erik Hassle – “No Words”
Nervo (featuring Jake Shears, Kylie Minogue, Nile Rodgers) – “The Other Boys”
In the 1980s when I was a kid and I turned on the radio to the current pop music stations, I vividly remember my parents thinking our music was “just a bunch of noise” in comparison to the classic rock and roll of the era they grew up in. Years later, we gained an appreciation of each others music primarily based on the lasting effects both kinds of music had on the world. I’ve always tried to stay current on the latest in music and in the streaming music generation and it gets harder and and harder to find music that I could find myself wanting to listen to one time, let alone over and over again. I have found myself retreating to “obscure indie bands” so that at a minimum, I can listen to music being made and sung by actual musicians. I am really not a fan of the autotune world we live in, where it takes over 5 writers to compose the most simplistic and banal lyrics imaginable. I have also found that mainstream radio, which I used to enjoy so much, is so offensive to my ear drums, I’d rather listen to silence than what the current pop channels have to offer.
With that being said, for a lot of the modern music super stars, I am familiar with their names (primarily because they can’t seem to keep out of the scandal pages for being despicable people – but we’ll save that discussion for another time), and I find I don’t know the music that makes them famous. When a name keeps popping up, I often take a chance and go see them live and I experience their music for the first time when they are standing before me. Also a discussion for another time – try it some time. It really takes you out of your comfort zone and I can say from doing this hundreds of times, there are not a lot of people that are willing to take this chance. When I did this for Miley Cyrus last year, I found myself feeling like an “old person” as I was completely shocked at how bad her music was (despite thinking she had a good voice) and also what a bad role model she is for teens, her main audience, who attended the concert without parental supervision, dressing up like complete sluts and in winter time, no less! Trust me, I am one of the most liberal people you’ll ever meet and I found myself cringing with horror, which messes with my head because it makes me feel like I am an old person who is judging the youth.
Enter Abel Tesfaye, also known by his stage name: The Weeknd (sic). Three of his songs slipped onto my radar: “Nocturnal,” a dance track with Disclosure, “Prisoner,” a duet with Lana Del Rey (a track I don’t really care for, but I like Lana’s vocals) and “Can’t Feel My Face,” an uptempo track that almost rips off the music for a song called “Jaded” by Soul Decision verbatim (but I like that song). That was enough for me to go see The Weeknd, who played 4 sold out shows at New York arenas (2 at Madison Square Garden and 2 at Barlcays Center in Brooklyn). If a performer can play to approximately 70,000 people over the course of 1 week, his music must be something special, so I took a chance and went to see him at Barclays Center on November 19, 2015.
At the conclusion of The Weeknd’s show, I found that he has a decent voice and I enjoyed the light show that included explosions and fire. What I didn’t enjoy was walking out of the concert feeling dumbfounded in a similar manner (but with different circumstances) like I did when I left the Miley Cyrus concert a year ago at the same venue. I should also point out that I do my best to avoid the news, but occasionally, items hit my radar, typically after they are discussed ad nauseum. One such item is “Black Lives Matter.” It’s hard to escape that sound byte. With what little I know on the matter, one way to make that so is for all of us, black, white or green to start treating each other with respect. Seems like a no-brainer to me, but to the 70,000 that sang along word for word to songs by The Weeknd, the so called “N-Word” was uttered so many times that I lost count. In my opinion, it sets any progress this movement might have made backwards by leaps and bounds and not only is this guy selling out arenas, but he is also winning awards for his music! WHAT??? Nearly every song is bragging about being high out of his mind, fucking, beating up and degrading bitches (his words, not mine) and causing havoc with his niggaz (his words, not mine). Sounds like he should be in jail instead of being celebrated as the “new Michael Jackson.” This is like a Kathy Bates in Misery moment, where you want to shout “HAVE YOU ALL GOT AMNESIA!?” Do parents know what their kids are really listening to? And if so, Madonna and 2 Live Crew are owed an apology because at the time, they were mocked for being too scandalous and that stuff could be taught in church in comparison to what The Weeknd was telling his followers! So with that, I decided to compile a list of 10 of the most horrifying lyrics I heard at The Weeknd’s concert. The items that make the list are included for their horrifying lyrical content, because if we wanted to do one with all the bad grammar and misspelled words, we could be here for days.
After the jump, see if you are as horrified as I am or if you think I am an oldster that needs to get with the times. Please let me know in the comments section, and include your age if you would, please.
My love of Mac Demarco goes back several years, and it was delightful to see him again performing the first show of a sold out mini-tour of New York that found him playing Bowery Ballroom on August 17, 2015. As I’ve been seeing Mac Demarco live since he was virtually unknown, it warms my heart tremendously to see him selling out shows across the globe, with his fans crooning along to his love songs in admiration. Even one of his famous friends, Julian Casablancas of the Strokes, popped by on stage just to give Mac a hug.
It’s also crazy to think that Mac Demarco now has a catalog of over 40 songs to choose from for his sets, so now you will walk away from his shows thinking of all the great songs there was no time to play! However, he played the majority of his new EP “Another One” and favorites like “Salad Days,” “Cookin’ Up Something Good,” “Viceroy,” “Still Together” and his cover of “Reelin’ in The Years.” Trust me, if you don’t have all of Mac Demarco’s music, you really need to get on it. I think he is shaping up to be the voice of a generation.
If you don’t believe me, listen and watch this track that I recorded just for you, dear readers. The song is called “Just To Put Me Down?” and can be found on Mac Demarco’s latest EP, “Another One.” Love ya, Mac! May even more success be yours!
Lady Gaga is performing 7 shows at the iconic New York venue Roseland Ballroom shuts its doors for good on April 7, 2014. I attended her show on April 4, 2014 and before I give you 10 observations from the show, I’d like to reminisce a bit about Roseland. I’ve seen countless shows at Roseland from Radiohead to Lily Allen to New Order. The venue housed The Black Party and it was also where I danced on stage with Grace Jones! Such memories! Roseland you will be missed and it’s tragic that the rumour is that the building will be turned into condominiums! But anyway, here are 10 observations from the Lady Gaga show on April 4, 2014.
Lady Gaga at Roseland on April 4, 2014
1. Lady Gaga performed for a paltry one hour. Even new bands that barely have one album out play for longer. I totally get that these are “warm up” shows for her ArtPop Ball tour, but that is ridiculously short. Let the rumours start as to why she was unable to play for longer? Is she on drugs? Is she getting off drugs? Is she just lazy? The show should have been advertised differently if it was going to be that short. For someone that loves her fans as much as she does, that’s a shitty thing to do to them. Which brings me to observation number two:
Lady Gaga at Roseland on April 4, 2014
2. The VIP package made you pay twice as much as a normal ticket cost for the show. Though it did get you early entry to the venue (Entry at 5:30 pm. She went on at 9:15-ish), you did not have a special section to stand in, so if you got there late, you were screwed! In essence, the “VIP Access” made you have to stand there longer than everyone else and though it was nice that you were given a commemorative bag and poster (with poster tube), they gave it to you when you walked into the venue, so you have to schelp it around all night! In the mob scene that was the “pit” at Roseland, that was not a nice thing to do to your fans. However, as Roseland has notoriously bad sight lines, I guess it was either this or not be able to see at all.
4. If you tried to sneak up to the front, the Little Monsters will cut you! Granted, I thought that was kind of awesome because those of us in the front paid our dues for those coveted spots, but still – there ain’t no fury like a Little Monster scorned. The people standing near me and my friend at the show were total characters – on our left, we had a guy with the best biceps I’ve ever seen arguing with his sister about family business all night and on our right, a woman who literally had brought a drug store with her to the show. In the course of the evening, the woman drank mini bottles of alcohol which can be found at liquor stores, smoked several joints (she did share though!), had an E-cigarette and snorted coke – and ALL in plain view. Go on, girl!
5. When Gaga addressed the crowd, she used a squeaky Olive Oyl type voice which was ridiculous and annoying. When you are performing with your pussy out, it’s really hard to buy the “I’m so innocent” act.
6. 4 of the 11 songs she played featured her sitting down behind the piano. Also, one of the pianos was stationed in a spot where the over $500 tickets were, and while those people got a little extra value for their ticket price, the rest of the venue could pretty much not see a thing during that section of the show. When 15 minutes of her 60 minute show are being cockblocked by bad sight lines, that is NOT COOL!
7. Performing in your panties and grabbing your crotch is all the rage!
8. Gaga looked bloated. I’m not trying to start any blasphemous rumours, but as we all know, if you really break your hip, the recovery time is around a year and a half, not 4 months. Just sayin’.
Lady Gaga Roseland Merch
9. The Merch. – “Lady Fucking Gaga” T-shirts and cups. Enough said.
10. She lives for the applause.
As I got to the end of my list, I realized it sounds like I am complaining. To some extent, I am complaining because I see A LOT of live entertainment, and I look at everything objectively (though I am completely grateful for the experience). I feel it’s the job of the performer to make me leave with a smile on my face. Gaga definitely did that and she puts on a good show (despite this one being criminally short) but in some ways the joy I felt was overshadowed by a bunch of douchey moves that her team concocted to torture her fans that have little or no basis in comparison to know the difference.
What was your experience like? Tell us in the comments section.
The setlist was:
Born This Way (acoustic) / Black Jesus – Amen Fashion / Monster / Bad Romance / Sexxx Dreams / Dope / You and I / Poker Face (acoustic) / Just Dance / Applause.