Photos by G.
It’s hard to believe that the sketch comedy TV show Saturday Night Live celebrated its 40th year on the air in 2015. A major retrospective exhibit was put together to honor this milestone, and naturally, it’s in New York. Entitled SNL – The Exhibition, if you have ever been a fan of the show, you are sure to get your money’s worth as you will be taken through the process of putting the show together, see all kinds of cool ephemera from the 40 years of the show as well as major set pieces and costumes of a lot of the most beloved characters.
Before I leave you to enjoy a lot of pictures from the exhibit, let me say that you will be reminded of the brilliance of the show and you will laugh out loud as you relive clips from some of the funniest moments of the shows illustrious history. The exhibit will take about an hour to go through it all and you are allowed to take non-flash photos of all of the items and you can even sit on the actual “Wayne’s World” set or the Weekend Update anchor desk (but they charge an extra fee for that one), plus there is a gift shop (which you exit through – ha!), so you can buy your loved ones SNL-themed merch if that floats your boat.
And now, live from According2g.com…. It’s Saturday Night… the exhibit!
Click to enlarge so you can see the list of amazing musical guests that were on in the 1993 season. One of my only complaints of the exhibit was they were very light on the music guest ephemera. Aside from a Lady Gaga costume and mini TV screens that showed some performance highlights from each season (but positioned in a way you couldn’t really watch them for too long), there was almost nothing of the historical music performances that took place on the show.
The Saturday Night Live exhibit is showing through the end of 2015 at 417 5th Avenue in Manhattan (between 37th and 38th Street). You can probably find cheaper tickets than the suggested price on the official website if you do a little googling. These pictures are just a sample of what is on display, so if you are an SNL fanatic, do not miss this exhibit!
Photos and words by G.
1980s music titans Culture Club are back. They slayed New York last night, July 27, 2015, with the first of two sold out shows at the Beacon Theatre in Manhattan. Here are 5 things I observed at the show:
1. Culture Club have so many great songs! When I arrived at the Beacon Theatre, a DJ was spinning 1980s music remixed with modern beats, which set the mood for an incredibly good time. At the stroke of 8:30, Boy George, Mikey Craig, Roy Hay and Jon Moss, better known as Culture Club, hit the stage. A video montage of Culture Club’s highs and lows preceded the band coming out and then they pummeled the crowd with hit after hit. If you had the pleasure to be alive when these songs came out, you remember that these tracks were so massive, the radio all but played them to death. When you see songs as beloved as these performed in a large concert hall, the enthusiasm of the crowd makes you fall in love with them all over again.
Kicking off with “Church of the Poison Mind,” the entire night was a giant sing-a-long, with the audience losing its mind during classic tracks such as “I’ll Tumble 4 Ya,” “It’s a Miracle,” “Miss Me Blind,” “Time (Clock of the Heart),” “Move Away,” fan favorite “Black Money,” “Do You Really Want To Hurt Me?” and the song that the audience went the most bonkers over, “Karma Chameleon.” Two of Boy George’s solo hits, covers of “Everything I Own and “The Crying Game” were also played to much adulation from the crowd. David Bowie’s “Starman,” which was included on Culture Club’s first reunion album in 2001, closed out the show. But the night was not all nostalgia, Culture Club is working on a new record and 6 songs were aired, including the self reflective “Like I Used To,” “Different Man,” “Let Somebody Love You,” and their latest single “More Than Silence.”
2. Culture Club’s music transports you back to a time where things were not disposable. As Boy George pointed out on stage, the world is finally starting to get its first taste of sexual equality and this was the world Boy George has wanted to create and live in since the onset of his career. When you think of how far we’ve come since Culture Club debuted in 1982, you realize how many barriers were broken down by this band. How many other bands do you know that were multi-racial, straight, had an extremely outspoken, openly gay lead singer and had crossover appeal throughout the world? Not many! Boy George has always been uncompromising in his stance on being yourself under any circumstance and not giving a fuck what anyone thinks of you. In a time where you faced much more persecution from your peers and the media for being flamboyant, out and proud than you do today, gay culture owes a huge debt of gratitude to Boy George for never backing down.
3. Culture Club shows still attract a widely diverse audience. I’ve seen the band together and Boy George solo on many occasions, and you will rarely find a more diverse crowd. Last night, you could readily find young and old people, gay, straight and of all races and that is a great thing. I think the audience had a collective realization of all these things I said after “Do You Really Want To Hurt Me?” was played and the ovation after the song went on for several minutes and Boy George even had to tell the audience to stop cheering because he was about to get emotional from the outpouring of love.
4. Culture Club has aged really well. From the songs still sounding amazing, to the fact that the band looks great and well preserved, Culture Club may have only had a few hit albums, but they left a permanent mark in music history. Boy George famously had drug and legal problems for many years and not only was he in good shape physically, he also sounded great. His voice is a little huskier than it used to be, but he can still hit the notes and he still lets you have it with his witty onstage banter, his numerous costume changes and his “it quality” as a performer.
5. I would be remiss if I didn’t get up on my soap box to complain about the excessive amount of selfie and picture taking that went on. I am guilty of taking photos as much as the next person, but there is one slight difference – I use an actual camera (which is cheaper than an iPhone and light and compact to carry around) and I bring this up because I do not have to block other people’s views to take my pictures. What exactly are the people doing with all these photos and videos they are taking? Certainly not blogging about them for a worldwide audience to read! Cell phone photos come out much worse than camera photos. Also, they are much more obtrusive and people literally don’t seem to care at all about anyone around them, because the only way to get a photo is to hold the device over your head, which blocks the view of EVERYONE behind you. Take as many photos as you like and I don’t care if you watch the entire show through the back of your phone – but PLEASE PAY ATTENTION to your surroundings!!!!! So many times in the show, Boy George came over to our side to serenade us and his face was cock blocked by everyone around me holding up their fucking phones and even worse, their giant iPads!!! Boy George complained about this during his last solo tour and I wish he would have said something about it last night because it’s plain excessive – and it’s happening at every concert I go to, and as I go to a lot of shows, it’s starting to become a deal breaker for me.
The irony is that many of the concert goers should know better because when this music came out, it was not a digital age and we actually had to live in the moment and experience the concert. I guess some nostalgia is conveniently forgotten.
The setlist was:
Church of the Poison Mind / It’s A Miracle / I’ll Tumble 4 Ya / Let Somebody Love You / Everything I Own / Like I Used To / Move Away / Black Money / Victims / Human Zoo / Time (Clock of the Heart) / Different Man / Miss Me Blind / I Just Want To Be Loved / The Crying Game / Do You Really Want To Hurt Me? / More Than Silence
Crowd Sing-a-Long of Karma Chameleon / Runaway Train / Karma Chameleon
Photos and Words by G.
Billy Idol and his guitarist Steve Stevens are rock gods! On May 29, 2015, they played an outdoor concert on Pier 97 in New York and it rocked so hard! I’ve seen Billy Idol perform a few times over the years (including earlier in 2015 at the Beacon Theatre – but there is no review because I was on a blog hiatus) and Billy Idol never disappoints.
If you know little of Billy Idol’s history, he’s been performing for nearly 40 years, which in and of itself is an amazing accomplishment. There was a period of time where he was a major drug addict and he was nearly killed in a horrible motorcycle accident where he was not expected to ever walk again, let alone perform. I mention these things because Billy Idol showed no signs of being anything other than a rock god for the duration of his performance.
Before I discuss how great Billy Idol looked and sounded, let me paint a picture of the scene. Pier 97 is located at 55th Street and the West Side Highway, and what that means to non-New Yorkers, is that you have a panoramic view of the Manhattan skyline in the background as you watch the concert.
New York suffered a punishing winter, and the weather has just started to get nice, so being able to be outdoors and not freezing your ass off is such a treat and during the Billy Idol concert, the weather was absolutely perfect. The show kicked off with “Postcards from the Past,” a track from Billy Idol’s latest album “Kings and Queens of the Underground,” his first new album in almost 10 years. “Cradle of Love” was next and from then on, he had the audience in the palm of his hand. His signature moves of jumping around, “the snarl,” and fist pumping were present throughout the show and it drove the audience wild!
Because Billy Idol’s songs were played to death on the radio in the 80s, you sort of forget how great they sound when you have a concert full of people singing along to his songs and how many times, the songs lend themselves perfectly to crowd participation. For example, hearing the whole of Pier 97 shout out “FLESH! FLESH FOR FANTASY!” at every chorus during that song along with Billy gives me chills thinking about it. Or during “Rebel Yell,” when the crowd shouts out “More! More! More! Woooooooowwwwww!” or during “White Wedding” when the audience sings “It’s a nice day to…. STAAAAAART AGAAAAINNNNN!” is also chill inducing. During “Dancing With Myself,” at every chorus, Billy Idol said “If I had a chance, I’d ask NEW YORK to dance,” and if people hadn’t completely lost their minds by that point in the show, that sure did it. He also changed the lyrics of his cover of The Doors’ “LA Woman” to “New York Woman.”
Billy Idol gave many shout outs to New York, where he said that a lot of his hit songs were written here. He thanked the audience for “making my life so fucking great” and he also thanked his long time guitarist Steve Stevens for the same thing. Steve Stevens is a killer on guitar and he was given several guitar solos whereby he slayed the crowd!
Steve Stevens plays the guitar so effortlessly, that you could not help but watch him in awe as he shredded his guitar. During a lengthy solo, he was playing fast and slow which lead to the inevitable opening notes of Led Zeppelin’s “Stairway to Heaven,” and after a few seconds, he looked at the audience and shook his head no as if it was too cheesy to play that song and then he went back to his solo and scorched the guitar. He also slayed during his solos on songs like “Flesh For Fantasy” and “Rebel Yell” and during “White Wedding,” the track started off acoustically before transforming into the rockin’ version we all know and love by the second chorus.
The show closed with Billy Idol’s famous cover of Tommy James and the Shondells’ “Mony Mony” and as always, it featured the in between lyrics crowd chants of “Hey Motherfucker, get laid, get fucked!” The show was about all you could ask for when it comes to the setlist as he dug deep in his back catalog all the way back to the Generation X days (with “Ready Steady Go!”), and he played the majority of his hits, with the exception of “Catch my Fall,” “To Be A Lover,” and “Don’t Need A Gun.” Perhaps he will resurrect those great songs for his next tour? If you have ever loved a Billy Idol song, and how could you not?, you should make sure you see him live the next time he comes to your city, because he and Steve Stevens are true rock gods!!!
I’d like to give a shout-out to Bar 9 for hooking me up with tickets. Thanks so much, I had a blast!
The setlist was:
Postcards from the Past / Cradle of Love / Can’t Break Me Down / Dancing With Myself / Flesh For Fantasy / Save Me Now / Ready Steady Go / Sweet Sixteen / Eyes Without a Face / LA Woman (Doors cover) / Steve Stevens Guitar Solo / Whiskey and Pills / Blue Highway / Rebel Yell
Encore: White Wedding / Drum Solo / Mony Mony (Tommy James and the Shondells Cover)
Photos and words by G.
The Who are celebrating their 50th anniversary as a band by touring and I popped my Who cherry by seeing them perform at Barclays Center in Brooklyn on May 26, 2015. As someone who has seen nearly all living rock and roll legends in concert, I felt I owed it to myself to go check out The Who and here are 10 things I observed while watching their show:
1. Despite being down two (of 4) original members (RIP John Entwistle and Keith Moon), the two that are left – Roger Daltrey and Pete Townshend – may be both 70 but they rocked and rocked hard for 2 solid hours with no intermission.
2. The visuals that showed on the screens behind The Who were amazing. Every song had a different trippy pattern and many times, the screens showed highlights of The Who’s amazing 50 year career.
3. While Pete Townshend did not smash any guitars, he did his signature move where he swings his arm in a circular motion while jammin’ out. Seeing him do that move throughout the show (as well as watching Roger Daltrey swing his microphone) are so iconic that it was definitely a show highlight. On the subject of Pete Townshend, he told a lot of funny stories in between songs and poked fun at how old he and Roger are.
4. Despite being in the dreaded Brooklyn, Barclays Center is a really nice venue. The people that work there are always super friendly. The site lines are pretty good unless you have nosebleed seats, in which case, if you have a fear of heights, you will definitely be freaked out. Pete Townshend also gave Brooklyn a nice little dig when he said “it’s good to be back in New York, even if it is Brooklyn.”
5. The ticket said 7:30 pm, and they were not kidding. At 7:30, opener Joan Jett and the Blackhearts promptly took the stage. Joan Jett was great! She did an 11 song set that included “Bad Reputation,” “I Love Rock and Roll,” “Crimson and Clover,” “I Hate Myself For Loving You,” “Light of Day,” and “Cherry Bomb.” Hearing the audience participate in mass sing-a-longs of these tracks was awesome and it was a great taste of what to come when The Who took the stage. As a side note, I think that Joan and I might have been the only gays in the entire building, so I am glad we represented! Also, in between Joan Jett’s set (hey, it rhymes) and The Who, the screens showed a visual history of The Who’s career and they mentioned that Joan Jett recorded her first album at The Who’s studio and she didn’t have any money at the time so she promised to pay back the money (and she did) and also included a Who cover as the b-side of her first single.
6. Like with Joan Jett, The Who have so many classic songs, that even if you think you are sick of them, they sound amazing when an arena full of people are singing them in unison. Some examples of the massive hits played were “Who Are You,” “The Kids Are Alright,” “My Generation,” “Pinball Wizard,” “You Better You Bet,” “Baba O’Riley,” “Won’t Get Fooled Again,” and “Eminence Front.”
7. The Who didn’t just play the same old boring setlist (which from my research looks like it varies a little bit for each show). They packed the set with hits, but they also played some lesser known tracks such as the mini-opera “A Quick One (While He’s Away),” “Slip Kid,” “Bargain,” “Sparks,” “Join Together,” and “I’m One.”
8. Roger Daltrey got a ration of shit recently for complaining that people were smoking pot too close to the stage. To not look like such an asshole, before the concert, the above message was shown to the audience explaining that the smoke bothers Roger’s voice and if compromised, the show could be canceled. Roger also addressed this on stage, which made a lot of people roll their eyes. Seems a little on the douchey side, but the message was redeemed when they offered an alternative – “eat one of them funny cakes instead.”
9. The Who mentioned numerous times before, during and after the show that proceeds from selected tour ephemera would be donated to help children fight cancer. Pretty commendable because most merch proceeds from big bands go into building another wing for their mansions.
10. To think that The Who have been performing some of these songs for 50 years is so impressive. They found a way to breathe new life into their older material and as a result, this did not come across as a sad version of a formerly great band. Instead, they rocked harder than many bands who weren’t even born when The Who had their last hit song. If The Who come to your city, should you see them? You better, you better, you bet!
Joan Jett’s set list was:
Bad Reputation / Cherry Bomb / Do You Wanna Touch Me (Oh Yeah) / You Drive Me Wild / Light of Day / Love is Pain / The French Song / Different / I Love Rock and Roll / Crimson & Clover / I Hate Myself For Loving You
The Who’s set list was:
I Can’t Explain / The Seeker / Who Are You / The Kids Are Alright / I Can See For Miles / My Generation / Behind Blue Eyes / Slip Kid / Bargain / Join Together / You Better You Bet / I’m One / Love, Reign O’er Me / Eminence Front / A Quick One (While He’s Away) / Amazing Journey (with “Captain Walker” snippet from “Overture”) / Sparks / Pinball Wizard / See Me, Feel Me / Baba o’Riley / Won’t Get Fooled Again